RedGround Camera Rental
Based in Montreal, Quebec, RedGround Camera Rental provides a complete rental solution for the RED One Digital Cinema System at unbeatable prices.
We gear our services to the uncompromising independent filmmaker looking for the best image quality available. The revolutionary RED One is the first digital camera providing 4K footage that rivals the look of 35mm film, at a fraction of the cost.
Our complete RED One package includes:
RED One Body MYSTERIUM-X Sensor (Build 30)
2x RED Raid 320gig drives
2x 16gig RED CF cards
3x 8gig RED CF cards
1x 5' RED LCD
1x RED Electronic Viewfinder
1xRedRock 3 stage 4x5.65 Mattebox
1xRedRock Follow Focus + reversing gear
Additional items:
Professionnal O'Connor 1030 Fluid Head Tripod
"Seven" Jib (capacity: 50lbs)
Custom Dolly (for use with Matthews' rails)
A choice of one of three complete sets of lenses:
Red Pro Primes Kit - 5 lenses - (PL-Mount)
Zeiss ZF kit - 5 lenses (nikon mount)
Nikon lens kit - 5 lenses - (nikon mount)
We also offer an experienced Data Management Technician who has worked with the RED since its entry onto the market in early 2008. They come fully equipped to offer redundant data backup, on-set 1st light color correction, and technical support for any and all questions regarding the RED camera.
Contact us for a more detailed equipment list and our rates!
info@redground.ca
Office: 514-598-1259
Sean Sweeney: 514-518-4379
Andreas Mendritzki: 514-659-4846
RedGround Camera Rental
2229 Bourbonnière
Montréal, Qc
H1W 3P2
"This is the camera I've been waiting for my whole career: jaw-dropping imagery recorded onboard a camera light enough to hold with one hand. I don't know how Jim and the RED team did it - and they won't tell me - but I know this: RED is going to change everything.
For me this is Year Zero; I feel like I should call up Film on the phone and say: I've met someone. "
- Steven Soderbergh (on shooting "The Argentine" and "Guerilla" on the RED One Cameras.)
"I liked what they were doing - making a digital camera of the utmost quality, and making it affordable for indie filmmakers. It also looks like film - it has a very attractive quality to the image - none of the "digital" look I've seen with some other HD cameras. I gave them an open invitation that if they ever wanted to field test the camera in a "real world" situation, I'd be happy to help. I was also keen to put the film through a full professional post-production pipeline, just to ensure we could use the data all the way through to release."
-Peter Jackson in New Zealand Magazine (on shooting a 12 minute WWI short with a RED prototype camera, for RED's demo at NAB 2007.)